剧情简介
康沃尔渔村的风(fēng )(🆓)景明信片田园诗误导(🍩)了人们(men )。虽然过去(🛍)钓鱼是(🤢)一种养(yǎng )家糊口的方式，但如(🍖)今富有(yǒu )的伦敦(dūn )游客(kè )纷(📿)纷(🌫)下山，取代(dài )了(le )当地(♑)人，当(dāng )地(🖲)人的生(🕔)计因此(🎩)受到威胁。史(🕯)蒂文(🙍)和(💆)马丁兄弟(dì )的(🚉)关(guān )系也(🐖)很(hěn )紧张(📞)。马丁是一个(gè )没有船的渔夫(fū )，因为史(shǐ )蒂文开始用(💞)它来为一整天(🚣)的(de )(🔩)游(yóu )客提供更赚钱的旅(lǚ )游。他们卖掉了这座家(💻)庭别墅，现在看来(lái )，最后一(yī )(🙄)场战斗是和新主人在海边(biān )的(🥫)停车位(🧤)上(🔔)展开。然(⛳)而，情况(kuàng )很(hěn )快(kuài )(🤳)就失控(kòng )了，而不(bú )(🧣)仅仅是因(yīn )为车轮夹钳。 Bait是一种黑(hēi )白，手工制作，16毫米胶(🤷)片(piàn )制作的电影。许(xǔ )多关于鱼、网(💿)、(🎥)龙虾(🈺)、长靴、绳结和渔(yú )篮的特(📸)写镜头让人想起了蒙太奇(qí )景点(diǎn )的理论。对不(bú )同(tóng )(🆙)社会阶层的(🚡)描述(📞)——可以(🎐)说是阶级关系(xì )——也让人(rén )想起(👚)了(🛃)英国电影(💅)中的社会(✖)现实主(zhǔ )义传统。然而(ér )，最重要(⏺)的(🧥)是，在影(yǐng )像中(🍯)不同(tóng )层次的(🚪)电(🐌)影历史(shǐ )参(cān )考文献之下，当前许多政治关联正在等待(dài )被发现。 (🐣)The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. (🧒) Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations –(🌯) is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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