一直(zhí )作為米路斯(🆓).科曼(🐽)劇本鐵三(sān )角(另一(🌰)位是(🕋)帕培(🕟)錫,也是(shì )本片編(biān )劇之(zhī )(🔧)一(yī ))成員的艾(🛤)雲.巴(bā )薩,當然也走低度(📿)戲(xì )(🌫)劇路線。同是(shì )音樂家的(😎)彼德(dé )與卡洛老(lǎo )友重(🎩)逢(🤷),生活(🎡)狀(zhuàng )況大不同(tóng ),你有伴侶我(🏐)有家庭,然而都有說不出的(✖)不明(míng )(😻)朗,唯有以(🥀)酒(🕕)與音樂代替(🔊)口水。全片推(🧚)展不問目的,只(zhī )在剎那間的意圖(🦗),行(háng )行企企比起科(kē )曼更義(yì )無反顧,卻有(yǒu )生活淡如流水(shuǐ )的詩(shī )意(yì )和繆思,叫觀(🤷)眾聯想到二十(shí )(🕙)年(⛳)後的伊力(⛳).盧馬。巴薩鍾愛音樂(🤖)的程度不下於文(🈁)字和電(diàn )影,古典音樂(lè )與民(🚗)間音樂(lè )於全片迴(🐛)轉迴(⛏)盪(🐨),難怪成了(🌪)奇(qí )斯洛夫(💹)斯基(jī )十(shí )大心愛電影之一。 (😙)康城影展青(qīng )年評(📸)審團獎,美(💸)國全(quán )國影(yǐng )評(🔞)人協會特(tè )別獎 這部1966年的珍品,是(shì )(🍁)捷克新浪潮(cháo )短暫(zàn )生命(mìng )中最佳作(zuò )品(⏺)之一。成名音樂家到(dào )(💑)小(xiǎo )鎮探訪(🚩)舊(jiù )同學,舊同學是個窮音(🈳)樂教師(shī ),有(🌲)時在喪禮上(🐱)吹奏樂曲。平(píng )凡(🏡)的素(sù )材(🈸)在(zài )巴素(sù )手(🍾)裡,變出風(fēng )趣復罕見的旋律,一(yī )部憂鬱的(🏖)喜劇,或(🕌)灰色喜劇(🔮)。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (🛤) (💒) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🏿) - Elliott Stein, Village Voice (🌓) Source HKIFF Czech New Wave 2006
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